“Some Japanese stories end violently. Others never end at all, but only cut away, at the moment of extreme crisis, to a butterfly, or the wind, or the moon.”—Brian Phillips
An elderly academic on his way home from the cinema is accosted by a homeless woman. She tells him her name is Laura. So begins a nightmarish journey for Gerald, a historian forced to confront the mystery of his own past, and to ask himself if he has lived a good life—or even a decent one.
An elderly academic on his way home from the cinema is accosted by a homeless woman. She tells him her name is Laura. So begins a nightmarish journey for Gerald, a historian forced to confront the mystery of his own past, and to ask himself if he has lived a good life—or even a decent one.
“Some Japanese stories end violently. Others never end at all, but only cut away, at the moment of extreme crisis, to a butterfly, or the wind, or the moon.”—Brian Phillips
Are introverted Helen and flamboyant Franck who they really appear to be? Are they victims or monsters? Kerninon’s English language debut, full of masterfully orchestrated twists and turns, leaves simple distinctions behind and progresses on to far more intriguing terrain.
Are introverted Helen and flamboyant Franck who they really appear to be? Are they victims or monsters? Kerninon’s English language debut, full of masterfully orchestrated twists and turns, leaves simple distinctions behind and progresses on to far more intriguing terrain.