A brand new Carlotto, darker than ever...
A robbery goes wrong and ends with a brutal murder. The police investigation turns up nothing. Two years later, Marco Buratti, alias “the Alligator,” is asked to look into the crime and find out who was responsible. Buratti’s employer is young, the youngest client he has ever had; he is only 12 years old, the son of one of the victims. The Alligator senses right from the start that the truth is cloaked, twisted, shocking. Together with his trusted associates, Beniamino Rossini and Max the Memory, he will find himself mixed up in a story of contraband gold and blood vendettas between criminal gangs.
Carlotto once again provides a unique perspective on the criminal and social dynamics that dominate contemporary Italy.
“More than merely hardboiled, his novels are sexy, seedy, cynical and nihilistic, but with moments of idealism.” — London Review of Books
“Carlotto is the reigning king of Mediterranean Noir.” — The Boston Phoenix
“Amoral and unlikeable as he is, Pellegrini will stay in your head long after the book is closed. Carlotto’s Italy is a corrupt place far removed from that of any tourist brochure.” — Euro Crime
Massimo Carlotto was born in Padua, Italy. In addition to the many titles in his extremely popular Alligator series, he is also the author of The Fugitive, Death's Dark Abyss, Poisonville, Bandit Love, and the forthcoming At the End of a Dull Day. One of Italy's most popular authors and a major exponent of the Mediterranean Noir novel, Carlotto has been compared with many of the most important American hardboiled crime writers. His novels have been translated into many languages, enjoying enormous success outside of Italy, and several have been made into highly acclaimed films. Author's official Web site (in Italian with English pages) Carlotto on the Mediterranean Noir movement Carlotto on J-C- Izzo Mediterranean Noir "Packs plenty of plot into a slim volume, with space set aside for elaborate northeast Italian meals, musings on women, and plenty of Calvados drinking." - The Daily Beast on The Master of Knots "Carlotto's taut, broody Mediterranean noir is filled with blind corners and savage set pieces." - The New Yorker on At the End of a Dull Day "Beneath the conventions of Continental noir is a remarkable study of corruption and redemption in a world where revenge is best served ice-cold." Kirkus (starred review) on Death's Dark Abyss